Here are Kerry Marie‘s relationship and life lessons once again. A guy can please a girl by: 1. Doing the housework. 2. Cooking a romantic meal. 3. Taking her out. 4. Buying her something nice. “I would rather have something that didn’t cost much and a lot of thought went into it than something just picked up for a lot of money. Money is not everything. Love, happiness and health are.” 5. Telling her how much you love her. 6. Being honest and truthful. 7. Being respectful and caring. Women can please men by doing the same as above.
Autumn’s our ‘Bama bluejean babe. When she starts shakin’ her sweet thing, our balls go ding-a-ling. When she drops in to SCORE HQ for a shoot, you can hear the sound of nutsacks exploding. Can ya blame us? Just the thought of seeing the fantastic floppers of Miss Autumn-Jade is more than a reason for us to beat our meat. In fact, there are holes in the men’s room wall from the spunk smacking the tiles. But Autumn doesn’t let all this attention go to her head. “I just like making guys feel good, and if you wanna see my titties you all just ask,” Autumn tells us. Well, we did, and Autumn delivered. Here’s an A-J striptease that’ll make you launch a load in your Levi’s. So come on down!
Guest commentary by pop cultural essayist and noted film critic, Stefano P. Morrocchi: In the late 1950s and very early 60s, a new form of lounge and easy listening music emerged, called “exotica” by the record mavens of the day. Others called it “primitiva,” “hypnotique” or “romantica.” The exponents of this mellifluous style combined the music of South American and African countries, the unique sounds of Hawaii (which was then heavily in vogue in American popular culture along with hula-hoops, Tiki statues in many U.S. patios and middle-class American housewives wearing sarongs), and a smattering of modern jazz and sci-fi instrumentality. Such musical geniuses of “exotica” included Les Baxter and Martin “Quiet Village” Denny. Many of their long playing record album covers (remember those?) invariably were of a shapely, exotic island beauty playing some equally exotic instrument. (For Martin Denny record covers, “she” was the delectable model Sandy Warner.) It is in this spirit of “exotica” record covers that Chloe eroticizes this truly superb set of bongo drums, an instrument that lent its sounds so marvelously to “exotica” music. Chloe does not just make music, she makes wild jungle love to the viewer using these drums as props, which psychologically represent the male genitals. Any one of these photos would have been a delightful and best-selling “exotica” record cover, excluding the nudity, of course. “Exotica” lives again thanks to Chloe! In this photo set, Chloe’s fantastic body and beautiful face represent the peak of feminine perfection — exotic perfection, of course. Her command of the model’s repertoire of sexuality, breast-posing and sensuality is without equal. She intuitively understands that sexuality and musical sounds are intertwined, and she has the form and skill to convey this to the camera. As such, Chloe is an island treasure to be admired and worshipped, like the finest music and art. Or a Tiki goddess! Exquisite! I bow before Chloe and dance like a man possessed during her feverish beating of the voodoo skins.-From the pen of Stefano P. Morrocchi.
Ever had a waitress who looked like Liza Biggs? If you did, you are in the minority. And if you did, you should have told her about SCORELAND. No one would be able to concentrate on their food with Liza bending over you to drop off your plate.
SCORELAND: So if we saw you at the mall, how would you be dressed?
Liza: I’d be showing a lot of cleavage. I like my boobs, and I enjoy my body.
SCORELAND: You enjoy your boobs? How do you enjoy them?
Liza: Just everything about them and with anything I wear. I really like how they look in T-shirts. I even have cleavage when I’m wearing a T-shirt.
SCORELAND: So even when you’re wearing a T-shirt…
Liza: I still have the cleavage. They’re just that freaking big.
SCORELAND: So you’re a triple-J. How old were you when you were a D-cup?
Liza: Hmm. I think I was a D-cup when I was 14 and a DD when I was 15.
SCORELAND: When did you break the J barrier?
Liza: When I was about 25.
SCORELAND: So are your boobs still growing?
Liza: Yeah, they are.
SCORELAND: So you’re breaking the myth that women’s boobs stop growing at 25.
Liza: Yes, I am. And they’re not going to get any smaller. Ever.
SCORELAND: Do you think they’re going to get any bigger?
Liza: Oh, yeah, there’s no doubt they’re going to get bigger. Much bigger!
SCORELAND: Have you ever been walking around and had a bra break on you?
Liza: Oh yeah. I had one that had kind of a connecting piece, kind of like a balconette bra, and that connecting piece broke. So, instead of pushing my boobs up, it was kind of pushing them down. It was a little weird.
